# From Mariabella Fry   15 February 1873

Sir,

Referring to p. 185 of your very interesting work on “Expression of the Emotions,” I think it may interest you to notice, should you not have already done so, the perfect representation of the action of the “grief-muscles” in a picture of Albert Dürer’s now exhibiting among the works of the old Masters at Burlington House, (No. 160 in the catalogue).1

It is a picture of the Crucifixion, (or more properly a descent from the Cross,) & the figure almost close to the cross, on the right hand of it, has tears painted on his cheeks, & the half-square wrinkle on the forehead most distinctly marked, giving an unmistakeable expression of grief to the face.

Apologizing for the liberty I have taken in writing to you, | I beg to remain | Sir, | Yours obediently | Mariabella Fry.

6 The Grove, Highgate, N.

Feb 15. 73.

## Footnotes

According to the Royal Academy of Arts catalogue (Exhibition of the works of the old masters, associated with works of deceased masters of the British school, 1873, p. 17 (www.racollection.org.uk, accessed 4 November 2011)), item 160 was ‘A triptych: Christ bearing his cross—the crucifixion—the resurrection’ by Albrecht Dürer. The picture was described as a panel, 11$\frac{1}{4}$ in. by 17 in., lent by William Tetlow Hibbert. It has not been further identified. In Expression, p. 185, CD had referred to Fra Angelico’s ‘Descent from the Cross’ as an example of the depiction of grief muscles.

## Summary

Remarks on the "grief-muscles" shown in a Dürer picture.

## Letter details

Letter no.
DCP-LETT-8767
From
Mariabella Fry
To
Charles Robert Darwin
Sent from
Highgate
Source of text
DAR 164: 220
Physical description
4pp